Who invented Rayonism?


Who invented Rayonism?

Rayonism was one of the Russian avant-garde movements that proliferated in Moscow and St Petersburg in the years from about 1910–20. It was the invention of Michel Larionov and his partner Natalia Goncharova in 1912. Rayonism, or rayism, was based on the effect of light on landscape or cityscapes.

Where is Natalia Goncharova from?

Chern UyezdNatalia Goncharova / Place of birth

What did Rayonism based on?

From its conception as a subset of Russian Futurism, Rayonism drew from scientific discoveries and the theoretical conceptions of the fourth dimension. The movement was very self-consciously modern, even as it incorporated elements of traditional folk culture.

What is neo primitivism?

Neo-Primitivism is a style-label employed by the Muscovite avant-garde in the early twentieth century to describe forms of visual art and poetry that were tendentiously crude in style and socially and politically contentious in terms of subject matter.

Who influenced Natalia Goncharova?

Goncharova’s Rayonist and Futurist work influenced many of her Russian contemporaries, including Kazimir Malevich and Vladimir Tatlin. In turn, two major new art movements were coined in Russia, Suprematism and Constructivism.

Who is a Neo-Primitivism artist?

Neo-primitivism and the Hybrid Aesthetic, Paul Cezanne, Paul Gauguin, Henri Rousseau As the use of modern technology skyrocketed in the early 20th century, so too did the industrial renaissance lend its influence to a wide variety of disciplines, including music,…

Why was Suprematism created?

Suprematism, the invention of Russian artist Kazimir Malevich, was one of the earliest and most radical developments in abstract art. Inspired by a desire to experiment with the language of abstract form, and to isolate art’s barest essentials, its artists produced austere abstractions that seemed almost mystical.

What Suprematism means?

The term suprematism refers to an abstract art based upon “the supremacy of pure artistic feeling” rather than on visual depiction of objects.